I have returned to Tbilisi Georgia nearly two years after my 2016 visit. And I am gaining a larger perspective than I had before. I’ve nearly finished learning the alphabet and I’ve met many friends, old and new, as I wander the streets observing the world around me. My observations directly connected to my chief aims of puppetry, music and dance will be covered on my Gravity From Above site, but here I am going to continue dealing with the other aspects of Georgian culture that call to me. And today nothing called out as loud as the legacy of Communism in the old Soviet Union, which Georgia was buried deeply within, as I visited the Joseph Stalin Underground Printing House Museum.
But before we enter that world a bit of background. A quick look at the wars of Georgia, both outside invasion and civil strife, produces well over a staggering 150 conflicts before the year 1800 from Persia, Greece, Rome, Byzantium, the Mongols and the Ottomans among many, many others. And around the year 1800 the Russian Empire muscled its way into the area and presented a deal the Georgians couldn’t turn down, eventually swallowing them into greater Russia. To this day it is a common misconception that the Georgians speak Russian and write in the Cyrillic alphabet. Then after a very brief season of Georgian independence during the Russian Revolution Georgia declared itself as a state and from 1918 until 1921 they were free and the blossoms of liberty began to grow everywhere. Until they were harvested by the new Soviet Union and were ‘allowed’ to spend another 70 years under Russian/Soviet yoke.
Since the 1991 declaration of independence Georgia has remained free, though not without periods of strife. And so it is inevitable that the marks of both Russia and the Soviet Union (not the same thing at all) are still quite heavy on the land. To be fair some of these marks are not bad. Under the Soviet system education was encouraged as was theatre, ballet, puppets (!) and other cultural products… though always at the whim of the state censors. But other effects were much more troubling. Churches were banned under the atheist system. And many church buildings were destroyed or put to non-religious uses. I stepped into the Lado Gudiashvili Museum to look at work by that painter who had been part of that brief moment of freedom in the early 20th Century and who had continued on under the Soviet Union. He mostly stayed with a sort of surrealistic portraiture heavily influenced by his wide knowledge of Medieval Georgian frescos. And in 1947 he was asked to paint the altar of the Kashueti Orthodox Church on Rustaveli Avenue. He did it, then was barred for a while from the painters union. He often made scabrous sketches reflecting his cynicism of the Soviet system. But his fresco still stands.
Another area where the Soviet Union is still deeply felt is in the endless blocks of concrete apartment buildings circling the town. And they are often indeed gray and eerie as they house thousands upon thousands. And so while there is much new building going on these days it is hotels and not as often affordable replacements for these gloomy structures.
One question I sometimes wonder is where would Georgia be today if it could have stayed free in 1921. It’s a dream I know. Nevertheless the Georgian people have a lot of natural creativity and drive. Yet one gets the feeling that they are still digging out painfully from the basic burdens left by communism. And part of that burden is a kind of fatalism that I have encountered in other former Eastern Bloc countries. In Romania, in the Czech Republic, to a lesser degree in Poland, you often hear some equivalent to the statement “What can you do?” Here in Georgia it attaches itself to issues like traffic congestion, air pollution, recycling, etc. But not only that, these very creative people will sometimes hit a roadblock in their lives. And then you can see a cloud of fatalism passing over them. Which is odd because I’m convinced that this fatalism is a foreign import, it is not native to Georgia. Yet even I being one of the least optimistic Americans you will ever meet, always feel that there must be more options. The world may be dark, but I don’t have that fatalism that clouds future action.
The most interesting thing that happened to me with regard to Georgia’s communist past occurred today. I went to find a strange little museum that I’d heard about. One not covered in guide books. You probably already guessed that I mean the Joseph Stalin Underground Printing House Museum. Now if that sounds strange to you trust me on this, the title of the museum wasn’t nearly as weird as the museum itself. I took the metro to a stop I’d never been to before – 300 Aragveli*. (I don’t know what that refers to, it’s not an address.) After a rambling walk I arrived at a door that could be no other than the house museum. It featured hammer and sickle designs in Soviet red. And what was odd is that it didn’t look like commentary or in any manner ironic. And lo and behold it wasn’t. (See above.)
For those who don’t know history as well as you should, the Soviet dictator Joseph Stalin was not Russian, he was in fact the most famous (or infamous) Georgian who ever lived. His Georgian name was Ioseb Besarionis Dze Jugashvili (იოსებ ბესარიონის ძე ჯუღაშვილი). He was born in the Georgian city of Gori, where a controversial museum dedicated to him exists to this day. Stalin is of course responsible for more deaths than Adolf Hitler and yet there are those, even in Georgia, who wax nostalgic for the old days. And I had indeed walked into such a place.
The museum was like a frozen tableau of the Soviet Union without any upkeep whatsoever. Entering the dark corroding building was like entering into a time warp of the days before 1991, no really before 1953, it was the grayest dingiest thing I’d ever come across, from exactly the kinds of minds that thought that people wanted big ugly apartments. I was brought into a room festooned with red flags and pictures of Lenin and Stalin and an old comrade, a true believer in Soviet style Communism, named Zhuli was speaking Russian like a native. A young Russian teenager and his mother were there too. And that was fortunate because the boy became my interpreter for the deeply felt tour Zhuli was just starting. I mentioned that I was from America, which produced a puzzled look from Zhuli, who then recovered quickly with the only question one could ask at such an occasion: Are you a communist? The answer was a simple ‘No’. I wanted to understand what was going on here much too much to say that I was anything but! Yet from then on he took it as his mission to convert me. To tell me of the heroism of comrade Stalin and the way things had been.
Zhuli told us that back in the heyday of the Soviet Union, during the summers, over 500 hundred people a day would come to this museum. And this place was the house that hid Comrade Jugashvili, where they printed revolutionary pamphlets and papers in Georgian, Armenian and Russian. He show us fading imitation copies, decaying on the walls. (“They don’t give us much money for this museum.’) They had built a loud printing press under the nearby house (a reconstruction since it had been torn down by the Georgians after it had been discovered) and had an elaborate escape hatch through a deep well. And that was fascinating in itself. The well was still there. And another printing press, same German make and model, probably used somewhere else for propaganda, was rusting under the house because the chamber would flood regularly. Zhuli showed us diagrams and models of the house plans. He showed us photocopy clippings of atrocities committed by the Nazis in World War 2. He showed us a large map with little lights that glowed where revolutionary cells had been. We walked by socialist realist paintings of Stalin, Lenin, Molotov and others. He told us of Stalin’s heroic escapes in times of danger. Not a word was whispered about purges, famines, gulags, murders, the millions.
I was just in awe that such a man still existed. Zhuli was a man who still lived for the party. He was a man in his 80’s with a cult-like devotion to communism. And he knew it was going to come back. And when I thought about recent far left appropriations of the hammer and sickle image, whether by Antifa or by Jeremy Corbyn supporters in the UK, I wondered if he might not have a point. Because this was a man entirely possessed by his ideology of total egalitarianism, and that idea had come back with a vengeance, though applied with different terms for oppression, among people in the West who know nothing about the Gulag and the millions of victims of communist totalitarianism from Russia to China and far beyond.
As I left I looked at a funny work of graffiti on the wall outside, and I thought of this earnest man inside for whom such a thing would be incomprehensible. Bourgeois hooliganism would be the only category he would have for such a thing. He called the independence of Georgia a blow for the ‘counterrevolutionaries’. But you knew he thought it was only temporary. As I walked back towards the Avlabari metro station I walked passed a massive new Sheraton Hotel going up not far from the Joseph Stalin Underground Printing House Museum. Here’s the new ideology Zhuli. Yes indeed there will be one world, it’s just not the one you were imagining.